Amy Helm sought what she calls a “circular sound” for her new album. It’s a well-rounded one, one marked by streaks of Americana, country, blues, and gospel, and the kinds of four-part harmonies that can burst open a melody and close the loop of an octave. And sentimentally, it’s a sound that represents the feeling of community. This Too Shall Light, due September 21st on Yep Roc Records, comprises 10 songs produced by Grammy-winning producer and songwriter Joe Henry. Helm left her home and comfort zone of Woodstock, NY, choosing to record in Los Angeles within the confines of just a four-day window. The musicians were directed not to overthink the songs, and Helm herself barely performed any of the selections while leading up to the recording. As a result, the sessions forced fast musical trust among the collaborators and yielded the vibrant instrumental improvisations heard throughout This Too Shall Light. Although a profound songwriter herself, Helm and Henry jointly arranged a diverse collection of songs for the record, which range from Rod Stewart’s “Mandolin Wind” to Allen Toussaint’s “Freedom for the Stallion” and even the Milk Carton Kids’ “Michigan.” The title track in particular, written by Hiss Golden Messenger’s MC Taylor and Josh Kaufman (Josh Ritter, Bob Weir, Craig Finn), is a brilliant summation of the record’s sound and spirit. Seemingly a play on the old adage that “This too shall pass,” Helm’s voice veers from commanding to supplicating within a single soulful verse, as she manipulates that message so that light leads throughout even the darkest of times. While This Too Shall Light is only Helm’s second album under her own name, it serves as a comprehensive portrait covering her life’s journeys and recoveries; They’re the stories that, no matter where they take her, seem to end and begin in the same place like a circle.