Art of Live Festival

On their new album Glazed, East Nashville’s*repeat repeat deliver a batch of songs entirely true to the album’s title: sugary and sticky and impossibly shiny, all glistening harmonies and candy-coated hooks. But beneath the gloss lies something more jarring and jagged, a raw vitality generated by the Nashville band’s buzzy rhythms and blistering guitar work. Fortified by the distinctly thoughtful songwriting of husband-and-wife duo Jared and Kristyn Corder, the result is an album that finds an unlikely power in irrepressible sweetness. The follow-up to 2017’s shimmering Floral Canyon, which earned the band comparisons such as “Dick Dale’s snot-nosed grandkids”, Glazed marks a period of major growth for *repeat repeat, who’ve spent the better part of the last few years touring, highlighted by a 2018 debut at the Bonnaroo Music and Arts festival that saw them lavishly praised by Rolling Stone, who hailed them as “Most Enthusiastic Rockers”.

“For most people who create art I would assume there is some kind of deep unanswerable hole in your soul as to why you’re making it…” So says Stef Chura ahead of the release of Midnight, her gritty, vehement new album, recorded and produced by Will Toledo of Car Seat Headrest – and her first new collection of songs for Saddle Creek, out June 7th. Illuminating that search for answers with a fevered sense of exploration, Midnight is a bold leap forward from Messes, Stef’s contagious debut album, with every aspect of her new work finding bold ways to express itself as it rips through twelve restless and relentless new tracks. Today, she also shares the first single, “Method Man, ” a boisterous three-minutes that melds jagged, skewed guitars with a distinctive voice that has a new-found sense of confidence while touching on a vulnerable moment in Stef’s life.

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