Urban Chestnut Presents
San Fermin‘s third studio album, ‘Belong,’ marks a shift in songwriting perspective for bandleader Ellis Ludwig-Leone. “In the past I’d usually write through characters from books or movies, as a way to try to distance myself from what I was writing about,” says the Brooklyn-based artist. “As I’ve become more confident as a songwriter, I decided that I could drop some of the artifice and write something more direct.” In bringing a more personal slant to his music, Ludwig-Leone found himself confronting such matters as disconnection, displacement, and — perhaps most significantly — everyday anxiety. “Anxiety is something I’ve dealt with since I was a kid, but on this album I talked about it more explicitly than I ever had before,” he points out. Produced by Ludwig-Leone and brought to life by his fellow performers — lead vocalists Charlene Kaye and Allen Tate, trumpet player John Brandon, saxophonist Stephen Chen, violinist Rebekah Durham, drummer Michael Hanf, and guitarists Tyler McDiarmid and Aki Ishiguro — ‘Belong’ unfolds in warm, intoxicating textures that both contrast and intensify that sense of unrest. The album’s hypnotic sound is embodied in “No Promises,” a shimmering pop opus about the fear of disappointing those who’ve placed their trust in you. On the quietly frenetic “Bride,” San Fermin conveys a fear of commitment by juxtaposing the idyllic imagery of wedding flowers with a detailed account of suffering a panic attack. And with “Dead” (a song about “not wanting anybody to depend on you,” according to Ludwig-Leone), the band telegraphs defiance in a gorgeously jagged arrangement built on clattering rhythms and Kaye’s penetrating vocal performance.