The Fiery Furnaces

fieryfurnaces

Saturday, January 23 • Doors 8 Show 9 • $15 Flat • All ages • $2 surcharge for minors

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Eleanor was constantly ridiculed in the crudest and least interesting manner by her brother Matthew. He, for his part, had to suffer such things as her coming in the room, and various other affronts, for instance talking, or watching the TV show she wanted, or putting on a record she might like to hear.

So Eleanor had to hide her likes and dislikes until he left. It was a beautiful day. She stood at a second-floor window, watching as Dad drove Matt off, and roughly, excitedly, triumphantly put Houses of the Holy into the CD player, turning up the volume on what used to be her brother’s stereo.

You see Matthew had only liked the Who. He had Who records and videotapes, and as a youth, down in the basement, he tried to make Who noises. But he failed, miserably, and with black jealousy guarded the scene of his humiliation and insufficiency, that basement, where he kept the tape recorder. In fact, Eleanor was hit over the head, stabbed in the knee and smashed on the foot for coming down in the basement. But that didn’t make his songs any better.

Years later, when Matthew—his pride gone, his spirit, such as it was, crushed—encouraged Eleanor to come down in the basement to make their first Fiery Furnaces music together, maybe he should have hit and stabbed and smashed at her. But he just swore. Things had changed.

For in the meantime, while plagiarizing her way to a University of Texas B.A., Eleanor worked as a telemarketer for the Texas Republican Party. Her subsequent adventurous life—think of the courage these expeditions required—included a year spent in London and trips with her mother to Italy, Greece, and the south of France. Her enthusiasm for restaurants, shopping and like-minded people led her to come help, in her small way, gentrify the north end of Brooklyn. And there she lives, with a surprisingly well-developed and wholly undeserved sense of self-righteousness, no observable interests except her own enjoyment of such sophisticated things as cookery and movies, an impressive ability to aggrandize herself at the expense of her already unappealing older brother, taking very long walks, her mind completely blank. Her musical expertise extends so far as to include buying and listening to records and having boyfriends who were, once were, or wanted to be in musical groups. And her greatest achievement remains hitting a 3-run triple, which earned her a headline in the Chicago Sun-Times, “Friedberger’s Big Day Powers Oak Park.” But in the story beneath she was misquoted.

Her older brother went to Germany at 17 and managed to learn not a word of German or even have a good time – apparently pining for mommy and daddy, and doggy, and the comforts of home, which he was incapable of enjoying in the first place. After failing repeatedly at the University of Illinois at Urbana-Champaign, he cleverly stayed in that fascinating metropolis until he was 26. He then moved back in with his mother, sealing his fate and cementing his status as parasite and waster of indulgence and advantage. Looking for further opportunities to squander goodwill and embarrass himself, he later imposed upon a high school friend to help him move to New York (because his sister made it clear he couldn’t stay with her). He was, you see, the proud author of such works as Spider Spite, Toad King Land and Banobazus Persian Prince. But certainly those things are terrible, and only give evidence of no-talent and periods of excess sponging. No one doing a good job and paying the rent could ever have time for something as stupid and illiterate as Toad King Land. By the way, he has musical ability only as compared to his sister. His only achievement, in fact, is a series of short videos, made with a student he worked with in Urbana, Illinois. But Matthew never bothered to do the obviously needed narration he promised to the student’s mother. And the poor student is now dead. God rest his soul.

6 Responses to “The Fiery Furnaces”

  1. Action Jackson Savoy says:

    The Furnaces are a can’t miss show, so much so that I accidentally posted this on another band’s write-up here on this site. I blame this squarely on Matthew’s facial expression in this picture.

  2. Tim W says:

    Sybris is a pretty good show too, ya know.

  3. Action Jackson Savoy says:

    They may very well be, but I’m on night shift, can only take off so many days.

  4. Just wanna throw out a quick “thank you” to the band. You guys completey rocked last night, but, more importantly, you went above and beyond for your fans. It’s rare (considering the current state and trends of the music industry) to have band that is on the level that you are on, who actually gives a shit about your fans. I want to thank you for continuing to put on an ever-evolving live show and for staying true to your ideals as a band, playing what you want to play, how you want to play it, and how your fans want to hear it.
    My rule of thumb when downloading music is that if I like it, I will purchase the album. I will admit to downloading your music, however I will also admit to buying every album you have put out, twice in two instances because I lost two of your CD’s.
    Maybe the problem with the music industry is that most of what is being put out is overprocessed robot-voice crap, live show be damned. If there were more quality acts like yours, maybe record labels wouldn’t have a problem selling CD’s – or maybe I’m just a hopeless idealist.
    Thanks for Oh Sweet Woods, and enjoy the lettuce.

  5. “if I like it” was supposed to be, “if it’s good,” which I believe are two different things

  6. And Drug Rug (was that the name?), I am now a fan.

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