The Sovereign Presents:
3.14 Day Showcase
Saturday, March 14
Doors: 7 pm // Show: 8 pm
Come celebrate 3.14 Day in St. Louis’ newest independent music venue, The Sovereign. With Jesus Christ Supercar, Mattie Schell, and Atomic Junction, the fuzz-pop dance beats, soulful Americana, and gritty roots-rock will have you rocking out in The Lou with a full night of the original music and local pride we are known for!
All ages – $2 cash surcharge at the door for minors
Atomic Junction
In the sweet spot between outlaw country, Southern rock, and punk-influenced Americana—Atomic Junction draws its gritty blend of Midwest-inspired rock ’n’ roll, country and blues music from influences such as Ray Wylie Hubbard, Steve Earle, The Band, Tom Petty & the Heartbreakers, and the Drive-By Truckers among others.
“There is something pretty retro about the way they’re getting to the hook,” critic Chadwick Easton wrote of the band in Melody Maker Magazine. "The approach is as classic as it gets … exclusive and original in every department.”
Based in the Midwest, Atomic Junction’s music reflects the diverse inspirations of its members: Mike Wayne on bass guitar, multi-instrumentalist Clay Mudd pivoting amongst his resonator and 12-string baritone guitars, Mark Murdaugh on lead guitar and harmonica, percussionist Brian McCary and Aaron Kyle Perlut on rhythm guitar and vocals.
The band's eclectic approach is, in part, why producer Greg Griffith calls the band, "the bastard love child of early-Replacements and Reba McEntire.”
Perlut, Atomic's principal songwriter, is a storyteller. He works to crafts lyrics that are often offbeat and admittedly wordy, with straightforward rock- and country-inspired arrangements designed to blend seamlessly with Murdaugh's more complex rock and blues-derived leads.
As Raised By Cassettes noted, the band is, “Somewhere between Lynyrd Skynyrd and Lou Reed's Wildside ... Atomic Junction brings out these winding guitars for an almost-twang sound but it's slow and plodding. The closest sound I can really compare this with is that classic Southern rock sound, though it is not completely that…”
Midwestern storytelling, rootsy Americana to its core, told authentically with earnest, satirical grit—that is Atomic Junction.
“There is something pretty retro about the way they’re getting to the hook,” critic Chadwick Easton wrote of the band in Melody Maker Magazine. "The approach is as classic as it gets … exclusive and original in every department.”
Based in the Midwest, Atomic Junction’s music reflects the diverse inspirations of its members: Mike Wayne on bass guitar, multi-instrumentalist Clay Mudd pivoting amongst his resonator and 12-string baritone guitars, Mark Murdaugh on lead guitar and harmonica, percussionist Brian McCary and Aaron Kyle Perlut on rhythm guitar and vocals.
The band's eclectic approach is, in part, why producer Greg Griffith calls the band, "the bastard love child of early-Replacements and Reba McEntire.”
Perlut, Atomic's principal songwriter, is a storyteller. He works to crafts lyrics that are often offbeat and admittedly wordy, with straightforward rock- and country-inspired arrangements designed to blend seamlessly with Murdaugh's more complex rock and blues-derived leads.
As Raised By Cassettes noted, the band is, “Somewhere between Lynyrd Skynyrd and Lou Reed's Wildside ... Atomic Junction brings out these winding guitars for an almost-twang sound but it's slow and plodding. The closest sound I can really compare this with is that classic Southern rock sound, though it is not completely that…”
Midwestern storytelling, rootsy Americana to its core, told authentically with earnest, satirical grit—that is Atomic Junction.
Jesus Christ Supercar
Sometimes, you’ve just got to keep on rumbling. Jesus Christ Supercar formed in St. Louis in 2018 and hasn’t idled for a second. Forging a mix of their disco, synth pop, and glam-rock influences, the band has built a reputation both for the dance parties they instigate and the headbanging riffs they effortlessly rip.
Supercar has paved their own way as their city’s premier (read: only) fuzz-pop, matching-jackets, dance-rock group. They’ve shared the stage with Cheap Trick, Broncho, !!! (Chk Chk Chk), Dinosaur Pile-Up, El Ten Eleven, Post-Sex Nachos, the Blue Stones, and more, and show no signs of stopping. The band’s three EPs - POST-MADONNA (2020), TURBO DIESEL (2021), and WHAT TIME? (2022) - emphasize their “make-it-danceable-first” ethos, riffing on indie sleaze aesthetics mixed with their idolization of pop music and desert rock.
Their new EP, RELIABLE BRAKE SERVICE, produced by Mobley (Last Gang Records), is out Spring 2025. Lead single “RUMBLE” is emblematic of the Supercar sound: a dance number chock full of arpeggiators, handclaps, harmonies, and riffs for days. Second single “FRENCH GIRLS”, out 03.07.24, takes powerpop simplicity and crashes it right into Supercar’s trademark fuzz and synths.
Supercar has paved their own way as their city’s premier (read: only) fuzz-pop, matching-jackets, dance-rock group. They’ve shared the stage with Cheap Trick, Broncho, !!! (Chk Chk Chk), Dinosaur Pile-Up, El Ten Eleven, Post-Sex Nachos, the Blue Stones, and more, and show no signs of stopping. The band’s three EPs - POST-MADONNA (2020), TURBO DIESEL (2021), and WHAT TIME? (2022) - emphasize their “make-it-danceable-first” ethos, riffing on indie sleaze aesthetics mixed with their idolization of pop music and desert rock.
Their new EP, RELIABLE BRAKE SERVICE, produced by Mobley (Last Gang Records), is out Spring 2025. Lead single “RUMBLE” is emblematic of the Supercar sound: a dance number chock full of arpeggiators, handclaps, harmonies, and riffs for days. Second single “FRENCH GIRLS”, out 03.07.24, takes powerpop simplicity and crashes it right into Supercar’s trademark fuzz and synths.
